–May 8-10, 2024–
Festival Propagations, GMEM, Marseille, France.
–April 16-21, 2024–
Fire and Music tour.
–April 16, 2024–
distraction performance at OSSIA concert at Eastman.
–March 19-20, 2024–
New organ and violin composition premiering in Washington D.C. more details to come!
–February 16-17, 2024–
Critical Mass, Port Hope, Ontario, Canada, theatrical musical set with Tyler Cunningham and Joyce TO.
–February 8, 2024–
Array Space Toronto, theatrical musical set with Tyler Cunningham and Joyce To.
–December 22, 2023–
fulgura frango for harpsichord and electronics performed by Joe Gascho at the Anchorage Chamber Music Festival (ACMF) Winter Concert. Electronics assisted by Pierre Derycz.
–December 8, 2023–
nadir aux pommes for clarinet, accordion, video, and electronics performed by the Zöllner-Roche Duo at Música Estranha in São Paulo Brazil.
–November 21,2023–
Ambient set with Barbara Nerness at Upper Market Gallery as part of the group exhibition Sense Bath.
–November 19, 2023–
lawrence st. performed by sax quartet Kodachrome as the winner of the call for scores competition hosted by the PRISMS festival at Arizona State University.
–October 15, 2023–
Short paper presentation at the International Computer Music Conference in ShenZhen, China on a critical methodology for working with Chinese traditional instruments and electronics through the example composition somme et différence for sheng and electronics.
–October 6, 2023–
nadir aux pommes for clarinet, accordion, video, and electronics performed by the Zöllner-Roche Duo at Lola Cultural Centre as part of the 32nd International Review of Composers in Belgrade, Serbia. Slug laugh track!
–October 1, 2023–
lumière for carillon and electronics, allegro, and as swiftly and fading as soon performed by Carson Landry on the Lurie carillon at the University of Michigan. fulgura frango for harpsichord and electronics premiered by Joe Gascho as part of the annual UM organ conference.
–September 21, 2023–
as swiftly and fading as soon premiered by the San Francisco Contemporary Music Players as part of ARTZenter’s Emerging Composer Grant Project.
–September 17, 2023–
the diggers premiered by Ensemble Semblance in the carré magique at the Royaumont Abbey north of Paris.
–September 13, 2023–
leonore, a performance-lecture on memory, photographs, and Bruno Walter, co-created with Tyler Cunningham showcased by Tyler and the Spectra Ensemble in Ghent as part of the Bijloke Academy through LOD Muziektheater.
–September 8, 2023–
impatience performed by Robert FLEITZ, Max TAN, SASANUMA Tatsuki at Tokyo Bunka Kaikan in collaboration with the Chelsea Music Festival in Tokyo, Japan.
–August 13, 2023–
sehr sehr sehr, a theatrical concert-length performance for Robert Fleitz and video projection, premiered as Sansusī festival in Latvia.
–July 9, 18, 19, 2023–
Carillon concerts in Rockenhausen, Germany, and Enkhuizen and Hoorn in the Netherlands.
–June 23, 2023–
as swiftly and fading as soon chosen as one of six orchestra pieces to be read by the San Francisco Contemporary Music Players through the inaugural cohort of ARTZenter‘s Emerging Composer Grant Project.
–April 7, 2023–
the lighthouse, co-composed with Clara Allison, with electronics and choreographed lighting, premiered by Dal Niente on a program of Stanford composers’ works at Nichols Hall, Evanston.
–April 2, 2023–
somme et différence broadcast by Radio France as part of Anne Montaron’s Creation Mondiale series. Performed by WU Wei, Alexis BASKIND, and Julie ZHU for sheng and electronics.
–March 15, 2023–
Featured on WQXR on Music from Paul and Daisy Soros Fellows, hosted by Emi Ferguson.
–December 2-11, 2022–
unanimous opinion premiered by latenz ensemble, Boswil, Bern, Basel, Switzerland.
–September 16, 2022–
BOX for percussion and electronics premieres at 3537 in Paris, performed by Olivia MARTIN.
–August 11-14, 2022–
Carillon concerts in Pully, Switzerland, Annecy, Taninges, and Lyon, France.
–June 16, 2022–
lumière for carillon and electronics, premieres at the Guild of Carillonneurs of North America (GCNA) Congress.
–March 19, 2022–
<3 for wind orchestra, premieres at the College Band Director’s National Association (CBDNA) Western/Northwestern Division by Northern Arizona University Wind Symphony, conducted by Dr. Stephen MEYER.
–October 24, 2021–
so many mirrors here, for PinkNoise Ensemble (instrumentation: clarinet, violin, cello, and electronics) premieres at Scholes Street Studio!
–October 18, 2021–
Other of Two, for pianist Robert FLEITZ, premieres at Weill Recital Hall at Carnegie Hall at 7:30pm (review). It’s also out on their new gorgeous CD, leaving a room.
–September 12-17, 2021–
Drawing Breath, the binaural, single-video version, opens at the Tetramatyka Festival in Lviv, Ukraine.
–September 5, 2021–
Pinks premieres at L’abbaye Royaumont, conducted by James Weeks, featuring Ben McKee (bass voice), WU Wei (sheng), Marie-Andrée Joerger (accordion), Thomas Lacôte & Brendan Champeaux (organ), Aleksandra Dzenisenya (cimbalom), and Geneviève Létang (harp).
>> Díapason review, resmusica review
–July 25, 28-30, 2021–
Carillon concerts! July 25 Albany; July 28 Rochester; July 29 Erie, PA; July 30 Westminster College, PA.
–June 19, 2021–
Ensemble Resilience performs dreamgirl, a piece I co-wrote with Clara Allison, at Muze van Zuid, Amsterdam.
–June 16, 2021–
Saxophone quartet Quasar performs lawrence st. in their virtual concert << Longues Distances >> filmed at Espace Orange, Montreal!
–June 5-6, 2021–
WoCoFest!! Performed a carillon program of all female-identifying composers, a first for me, at the National Cathedral, moderated a composer panel on Expanding Our Imaginations Collectively, and saw JACK quartet perform my string quartet, The Answers, for the first time live! <<Featured in the Washington Post>>
–December 14-17,2020–
JACK quartet residency on a piece based on the orbit and rotation of the Mercury (Jay), Venus (John), Earth (Austin), and Mars (Chris)!
–October 8, 2020–
Unheard-of//Ensemble releasing Distraction on YouTube! Distraction is a quartet of internal conversations. Tempo and meter are determined by inhales, exhales, and the absence of breath, while the performer navigates a video score of musical cells, sometimes in their own world, sometimes listening closely to others, coming into consonance or choosing dissonance.
–September 8, 2020–
Updating website after many years… most of the paintings are gone ( virtually—they’re still in storage 🙂 ) but some compositions are finally here!
